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What went wrong with Coke's 2011 holiday can design

The beverage giant has provided more than one example of the potency of packaging and how it can work for and against a company.

Coke's white can for 2011 holiday season
Coke's white can for 2011 holiday season

Coca-Cola’s packaging is iconic, both in structure and in graphics; therefore, when Coke’s packaging makes news, all other companies that aim to leverage packaging as a strategic tool should pay attention.  But first, some background.

In accordance with annual tradition, Coca-Cola (Classic) hit stores in holiday-design cans; except, this year’s design departed from the staid character of its predecessors.  The holiday can was white with the brand-name rendered in red—the reverse of the regular trade-dress.  Another departure is that the brand-name runs horizontally, not vertically.  Along the bottom, in silver, are depictions of roaming polar bears.  In that regard, the can was pulling double-duty, honoring the holidays and the company’s partnership with the World Wildlife Fund in acknowledging the threat that global warming represents for polar bears.

The white can, originally slated for distribution through February, has been discontinued, a move hastened by negative consumer reaction.  Holiday cans in traditional red filled the void for the remainder of the seasonal promotion.  It’s an obvious indication that plans when awry, that the ensuing consumer revolt wasn’t foreseen, or at least, was underestimated.  And while the fall-out didn’t match that from the infamous New Coke launch, it proves that consumers not only react demonstrably to product changes but to packaging changes, as well.

Companies don’t own brands, people own brands

Some companies that speak of the consumer-franchise aspect of brand-building don’t always appreciate the ownership implications.  Regarding packaging, companies implement but the consumers render judgment.  Brand-loyalty merely is a measure of the degree to which the targeted consumers consider the brand to be “theirs”—emphasis on “theirs.”  So whatever a company does to their (the consumers’) brand, it had better be to the consumers’ liking, or else there will be consequences to pay.

In the consumer packaged goods (CPG) industries, the stronger the brand, the more likely that packaging is a major reason, and therein lies a dilemma.  The company has leveraged the functions of packaging (protection, communication, convenience, and utility) to its competitive advantage, over time, by varying degrees of tweaking; however, how long can a company afford to stand pat?  And what factors govern where on the evolutionary-to-revolutionary continuum should changes be made?  Even Coca-Cola, for all its status as a global brand, is not exempt from such considerations; for to err is to expose the brand (regardless of however established it is) to market loss.

Package design research is only as good as the validity and reliability of its methodologies and the creativity and expertness with which the derived insights are implemented—true of all types of research.  Companies should augment their research-derived knowledge with a systematic approach that incorporates all channels through which consumers express their opinions about packaging.  An 800-number hotline, for example, won’t fulfill its potential if there isn’t an effective means of categorizing packaging-related responses and conveying them to those within the company who can best act upon them.

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